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Women of Metal

Jinx Dawson fronted Coven in 1969. Girlschool were touring with Motörhead by 1979. Sabina Classen was roaring over Holy Moses in 1981, and Jo Bench has played bass in Bolt Thrower since 1987. This is not a recent development and it is not a sub-plot.

They were there first

Metal is overwhelmingly male and that is a fact about the industry, not about the music. The dates below are the point of this page. Every one of them predates something this site treats as foundational, and none of them is here as a curiosity.

  1. 1969 Jinx Dawson Coven

    Coven released Witchcraft Destroys Minds & Reaps Souls with Dawson on vocals, inverted crosses on the sleeve and a track called Black Sabbath. Black Sabbath released their first record the following year. Coven's was withdrawn within a month because the press had linked occult imagery to the Manson killings.

  2. 1978 Girlschool Girlschool

    Formed in London, the same year as most of the NWOBHM. By March 1979 they were opening for Motörhead — Lemmy had heard their single and put them on the tour. In 1981 the two bands recorded together as Headgirl and went to number five in the UK. Contemporaries, not followers.

  3. 1981 Sabina Classen Holy Moses

    Joined Holy Moses in Aachen, a year after the band formed and before most of the thrash on this site existed. She wanted to sing like Ozzy Osbourne and what came out instead was a roar — one of the first genuinely extreme vocal performances by anyone, of any gender, in metal.

  4. 1982 Doro Pesch Warlock

    Formed Warlock in Düsseldorf. Four decades later she is still touring under her own name, which makes her career longer than most of the bands in this database.

  5. 1987 Jo Bench Bolt Thrower

    Joined Bolt Thrower on bass and stayed for the band's entire recording career. Among the first women to play in an extreme metal band at all, and she did it on an instrument nobody hands out on novelty grounds.

  6. 1995 Runhild Gammelsæter Thorr's Hammer

    A seventeen-year-old Norwegian exchange student in Seattle, singing for a band that existed for six weeks with two men who would go on to form Sunn O))). Dommedagsnatt is still cited by drone and doom bands thirty years on. She now holds a doctorate in cell physiology.

  7. 1995 Maria "Tristessa" Kolokouri Astarte

    Founded what became Astarte in Athens — an all-women black metal band, in the least welcoming corner of the genre, for nearly twenty years. She led it until her death from leukaemia in 2014, and the band ended with her.

  8. 2001 Angela Gossow Arch Enemy

    Wages of Sin. A death metal growl with nothing conceded to anybody, on a record that took Arch Enemy from respected to enormous. She later became the band's manager, which is the part of the story that usually gets left out.

  9. 2010 Prika Amaral Nervosa

    Founded Nervosa in São Paulo. Brazilian thrash in the lineage of Sepultura and Sarcófago, played at least as hard, and the reason Crypta exists a decade later.

Six records

In order of release, because there is no need to ease anybody in.

  1. Witchcraft Destroys Minds & Reaps Souls Coven, 1969

    Occult rock a year ahead of everyone. Closer to psychedelia than to metal, and the reason the imagery existed for Black Sabbath to pick up.

    Listen to Witchcraft Destroys Minds & Reaps Souls

  2. Hit and Run Girlschool, 1981

    NWOBHM with the tunes and the speed, made by a band who were on the road with Motörhead while they wrote it.

    Listen to Hit and Run

  3. Queen of Siam Holy Moses, 1986

    German thrash at its filthiest, and the vocal performance that showed the rest of extreme metal what was possible.

    Listen to Queen of Siam

  4. Realm of Chaos Bolt Thrower, 1989

    British death metal, grinding and enormous, with Jo Bench's bass doing much of the actual damage.

    Listen to Realm of Chaos

  5. Dommedagsnatt Thorr's Hammer, 1996

    Six weeks of a band's existence, and doom bands are still working through it.

    Listen to Dommedagsnatt

  6. Wages of Sin Arch Enemy, 2001

    The record that ended the argument about whether a woman could front a death metal band, mostly by not acknowledging there was one.

    Listen to Wages of Sin

And now

  • Greece Astarte, Athens — all-women black metal for two decades.
  • Brazil Nervosa and Crypta, São Paulo — thrash and death metal.
  • Egypt Massive Scar Era, Cairo — Cherine Amr writing metal in a place that made it difficult.
  • Lebanon Slave to Sirens, Beirut — the region's first all-women thrash band.
  • Germany Holy Moses and Doro, still going.

About this page

Everything here is a person, and this site currently records bands. Until it holds people — names, instruments, the years they played — this page is written by hand rather than assembled from the data, which is why it is nine entries and not ninety. It will get longer. Every date on it was checked against a source before it was published.